Orestes Vilató, born a day like today, May 4, 1944 in Camagüey, Cuba. multi-percussionist, Vilató is one of the most influential figures in the world of Latin percussion. His unique style on Cuban drums is one of the most imitated in the genre. He went to New York City at age 12.
He played charanga with Belisario Lopez and recorded and participate with Johnny Pacheco and Pupi Legarreta. He was for many years a member of Ray Barretto's band and later, Typica '73 and then took over the direction of Los Kimbos. Vilató also worked with Carlos Santana. His art has graced the stages and recording studios of numerous musical legends, from Aretha Franklin to Carlos Santana. Pioneering the salsa phenomenon on the US East Coast. Vilató played a significant role during the rise to fame of artists and musical institutions such as La Fania All Stars, Rubén Blades, Cachao, Celia Cruz, and many others.
After 25 years in New York, Orestes found new musical opportunities in Northern California, this time as a member of Santana’s band, forging his way into the Latin rock genre. As a result, his percussion virtuoso work became a substantial part of the music of numerous national and international artists in various styles, including Cuban music, Latin jazz, salsa, rock and many others. Oreste Vilató, It's About Time is the title of his first solo album, in which he composed, participated in the arrangements and was even encouraged to sing one of the 10 tracks.
This salsa album includes two tracks referring to two of his great friends who passed away, Ray Barretto (New York, 1929-New York, 2006), for whom he composed Remembering Ray and another unreleased one by Israel Lopez Cachao (Havana, 1918-Miami, 2008).
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