I have the same problem understanding.. IF the picture matches you but is a recently expired document , what the hell difference does it make !!I don't think logic was factored into the decision making process.
I have the same problem understanding.. IF the picture matches you but is a recently expired document , what the hell difference does it make !!I don't think logic was factored into the decision making process.
Two words I never useexpiration date...
I cannot speak for Germany as a whole (sorry if it came across this way) but maybe Berlin, Hamburg and the areas nearby. For Salsa on 1 and 2 there are fewer partys and clubs to dance in Berlin. Overall the crowd looked more mixed whenever I got to observe both styles.
I recently came across a medium-sized German town with a remarkably young Salsa crowd, was quite baffled and pretty much asked every follower where she had learnt to dance. The vast majority of them said: Hochschulsport. Basically, the local University offers very popular structured Salsa/Bachata/Kizomba dance courses aimed at the social dance scene, not for the usual competition lark.Mhh, good point. The younger instructors definitely have a younger audience as well. Still, one teacher is 35 and most of his students are 50+.
Maybe it's not so much Salsa itself but the difference between more rural and metropolitan areas. I am happy to hear that Salsa has a attracts more diverse crowd in other parts of the world.
Bachata, in classes and the clubs, sports more younger people.
I recently came across a medium-sized German town with a remarkably young Salsa crowd, was quite baffled and pretty much asked every follower where she had learnt to dance. The vast majority of them said: Hochschulsport. Basically, the local University offers very popular structured Salsa/Bachata/Kizomba dance courses aimed at the social dance scene, not for the usual competition lark.
Unisport or "Hochschulsport" is an interesting phenomenon, a blessing and a curse.
....
To summarize, the entry barrier to give Salsa a shot is quite low - but to make the effort and switch to a proper Salsa school after learning the basics is as well. It definitely is a gift to the Berlin Salsa scene because so many young people try Salsa for the first time in their lives. Also it's a hindrance - if you get a full fledged three-month course for cheap money (and have yet no clue how experienced teachers explain and dance), why would you ever visit a dance school?
Plus, let's be real, especially students prefer dancing with people in the same age group rather than with people who are as old as their parents. It's a great way to find friends, dating partners or just people with whom would never get in contact with in your seminars (see art student meeting IT guy).
Me, I started in Hochschulsport, made my way through the A1 - F2 curriculum, including taking several courses for a couple of times, switched to a proper Salsa school for two years and then to another school. I am a slow learner, I have to admit, but learning to dance takes time. I don't blame anyone not to stay in the game that long, though it would be great to have more young people in the scene.
Sometimes I think, if you have absolutely no previous experience in dance, Salsa is the equivalent to gaining a bachelor degree, time-wise. And a bachelor is only the beginning of a university career.
If the entrance to the parties is expensive (like in Austria for example, 5-12euro normally), you are not going to see a lot of young people/students in their 20s.
I understand the poor student mentality, but are Austrians really that price sensitive? All of the Austrian university kids I know are skiing and snowboarding, which is crazy expensive.
I have found the crossbody dancers in Düsseldorf and Cologne a good mix age-wise but the Cuban crowd in Cologne seemed quite old. Not that it stopped me from enjoying all the tasty Timba!
The Cuban crowd in Cologne is a very good example of the age segregation in the scene. There is actually a large, weekly party, frequented by young people. And one, where I feel like in a retirement home. The first one of course in music and dance styles is much more modern than the latter one and has a high fraction of Bachata.
That young and old party together is a myth here. They just sometimes share a venue - and old people who want to feel young can be very annoying quickly.
Let's face it:
I am mid 30s.
In most venues I feel young.
In others I feel old.
In some I feel between the chairs.
There barely is a 30s age group to build the bridge.
Aaaaand ... let's face it, young people don't want to be the meat market goods for the old crowd.
Yes, there are enough old creeps (even creepy old ladies) to make a mixed party very annoying for younger people. Linear Salsa due to it's high distance and often very formalized dancing it is not that problematic, in Cuban-party-Style and Sensual dances, this is an extreme problem.
In Zouk and Bachata classes - both dances show a median under 30 on many parties - the average level in classes is 10-20 years higher than on parties. Most of my younger female friends complain about it. Some more disguised, some even look for the fault to not like it at themselves, some very openly and many stopped taking classes for that reason.
And many of these older people behave greatly disrespectful towards their surroundings. Sexual harassing from both sexes, blackmailing of teachers who want to clean up advanced classes, physical abilities qualifying for a physiotherapist, massively painful dancing behaviours (hand squeezing, finger bending, shoulder twisting) and so on ... daily experiences.
And everyone of these "stayed young" guys (to a lesser extent women) cements the situation.
In areas, where a greater respect for dance partners - often combined with female leading figures and less style fetishism - exists, I have seen a better mixing of the scenes.
Financial reasons seem to have little actual effect.
The parties frequented by younger people seem to be more expensive than those, frequented by older people.
Specially those misbehaving old people have a strong tendency to go where it is cheap. Even many girl hunters can be pushed away by an entrance fee of 10€, despite being in an age, where that should be of little problem. While free parties are appealing for students and I even know girl hunters who use that as a bait, most established free parties I have met are dominated by older crowd.
Even many students I know are willed to invest 50€ per month for a good class - but at that price rate they are very quick to leave, when the girl-hunters and physiotherapist-denials appear.
Specially the better dancers often are very invested dancers and have that as a prime hobby. And many students easily pay 20+€ per night of partying in non dancing, too. The price barrier may be important on festivals though.
And last but not least:
Many of the long years established parties play a style of music, that was seen as "the right way" when the DJ got in contact with it - mostly in the 90s.
It's "parent's generation music" and they are very stuck to that kind. A backwardness, I have not seen in Spain for example.
Parties largely frequented by younger people play much more in the fields of Latin Pop, remixes etc. Specially Bachata is very open to that.
If people nowadays get in contact to Salsa during their Spain or south/middle America holidays, they will not recognize what is played at quite some dance school, oldschool or NY Style party here as "Salsa".
The Cuban crowd in Cologne is a very good example of the age segregation in the scene. There is actually a large, weekly party, frequented by young people. And one, where I feel like in a retirement home. The first one of course in music and dance styles is much more modern than the latter one and has a high fraction of Bachata.
That young and old party together is a myth here. They just sometimes share a venue - and old people who want to feel young can be very annoying quickly.
...
Linear Salsa due to it's high distance and often very formalized dancing it is not that problematic, in Cuban-party-Style and Sensual dances, this is an extreme problem.
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If people nowadays get in contact to Salsa during their Spain or south/middle America holidays, they will not recognize what is played at quite some dance school, oldschool or NY Style party here as "Salsa".