Had to sign up for this! Can't miss the opportunity to talk about one of my favorite bands.
I got into timba thanks to hometown heroes Guaco and that led me to Van Van. I listened to lots of Ruben Blades and classic Fania stuff when I was a kid, but then I got into rock and its many offshoots and sort of left the salsa world behind. However I always had the dream of joining salsa and beatle-style melodies together and thought that marriage would be quite revolutionary.
Needless to say, the moment I heard Chirrin Chirran I really lost it...I was so amazed. Immediately I needed to find more and more of that stuff. That got me into van van. I listened to Van Van obsessively for about a year, immersing myself in songo.
Now to answer the question, I've got two and they share some similarities
Transito, because it's songo at its finest and where Van Van would define their sound for the rest of the 70s. it's much more of a singles compilation more than anything, but it's pretty much flawless. Changuito's drumming is jaw dropping and awe inspiring and the melodies are so great, really tapping into the brittish invasion kind of sound, while the music is straight up soul but with rumba accents.
Then my other favorite...Lo Ultimo En Vivo. I was a changuito follower and this is where LVV sound started to change into what would become their groove for the rest of the decade. Samuel plays rather different than Chango and I was a bit in denial about his ability to carry the groove...I should add, this happened about 18 months ago. Mayito was already out of Van Van while I was making my way through their discography. So all my Samuel related doubts are anything but me trying to make sense of the albums. He does a stellar job, of course, but he's a lot more controlled than Chango, it never really explodes (plus all songs are faded out!) It snuck up on me though, and then I realized what an amazing collection of songs, mayor key cuerpos and minor key tumbaos it is (ie. Un Socio, Pura Vestimenta, Normal Natural). Really really strong stuff and arrangements.
I love them all though and I find their music is still revealing to me. I'm wasn't that big of a fan of the Lele and Jeni era (where the groove changed yet again) until I spent two weeks listening obsessively Chapeando, Arrasando and La Maquinaria. (I do find the malecon concert a disappointment, again for the fade outs).
I was really heartbroken when Juan died (mi tocayo!) even though his health problems were no secret. A leyend. Long Live Formell.