Guarachero said:According to Robertico Torres, former singer of Sonora Matancera, the first time the expression "salsa" was applied to the danceable music was in the late 1940s when Ignacio Piñeiro composed "Echale salsita," dedicated to the African (Congo) who sold butifarras in Carretera Central in Matanzas. At the same time, Rosendo Rosel, composer and writer for CMQ in Havana, attests that "Bigote" Escalona used to introduce Soneros and Guaracheros with the expression: this following band plays with salsa." Then Tito Puente in New York used the same expression.
Remember that "Echale salsita" has a corus refrain:
¡Saaaallsa!
Guarachero
Guarachero said:According to Robertico Torres, former singer of Sonora Matancera, the first time the expression "salsa" was applied to the danceable music was in the late 1940s when Ignacio Piñeiro composed "Echale salsita," dedicated to the African (Congo) who sold butifarras in Carretera Central in Matanzas. At the same time, Rosendo Rosel, composer and writer for CMQ in Havana, attests that "Bigote" Escalona used to introduce Soneros and Guaracheros with the expression: this following band plays with salsa." Then Tito Puente in New York used the same expression.
Remember that "Echale salsita" has a corus refrain:
¡Saaaallsa!
Guarachero
jhb said:Guarachero said:According to Robertico Torres, former singer of Sonora Matancera, the first time the expression "salsa" was applied to the danceable music was in the late 1940s when Ignacio Piñeiro composed "Echale salsita," dedicated to the African (Congo) who sold butifarras in Carretera Central in Matanzas. At the same time, Rosendo Rosel, composer and writer for CMQ in Havana, attests that "Bigote" Escalona used to introduce Soneros and Guaracheros with the expression: this following band plays with salsa." Then Tito Puente in New York used the same expression.
Remember that "Echale salsita" has a corus refrain:
¡Saaaallsa!
Guarachero
Echale Salsita came out in 1932. And the use of the word Salsa there wasn't an attempt to name the music, and the song is not a Salsa at all. It is a septeto-style Son. Ignacio was just saying "throw a little sauce on it", ie, spice it up. And we have no evidence that it was the first use of the word Salsa in that sense.
The word Salsa to describe music as being hot, or soulful, was long-established by the time the music we know now as Salsa immerged in New York in the late 60s, early 70s, but that music wasn't "Salsa", as in, fitting the genre we now know as Salsa. Basically, we can consider that use of the word as related but not the same as how we use it now.
As to the first Salsa, I don't think that can really be answered. There wasn't a single moment where New York afro-Cuban music turned into Salsa. It was a long evolution through the 60s.
Guarachero said:Then Tito Puente in New York used the same expression.
jhb said:As to the first Salsa, I don't think that can really be answered. There wasn't a single moment where New York afro-Cuban music turned into Salsa. It was a long evolution through the 60s.
Guarachero said:That's the the origin of the name Salsa (Casino actually). And you can take that to the bank. And you're right, 1930s may have been the time for "Échale salsita" (although I still have doubts), but the first time "Salsa" was referred to fast Son was 1950s CMQ radio by Bigote Escalona. Tito Puente in New York may have internationalized it, but its birthplace was Cuba. Let's give credit to whomever deserves it and avoid passion of titleship stand in the way of history. :rocker:
Rey de la Pista said:Guarachero said:That's the the origin of the name Salsa (Casino actually). And you can take that to the bank. And you're right, 1930s may have been the time for "Échale salsita" (although I still have doubts), but the first time "Salsa" was referred to fast Son was 1950s CMQ radio by Bigote Escalona. Tito Puente in New York may have internationalized it, but its birthplace was Cuba. Let's give credit to whomever deserves it and avoid passion of titleship stand in the way of history. :rocker:
but salsa is more than just "fast son." cuba didn't do salsa. yes, it did various rhythms that one finds in salsa. but salsa is the mixture of various rhythms and elements. salsa is: son, guaguanco, rumba, bomba, plena, guajiro, jibaro all mixed up.
to refer to it as merely fast son and say that cuba is the birthplace is to stand in the way of history.
David said:I know there is somewhat of a grey area between Mambo and Salsa, but I was wondering which music is considered to be some of the first Salsa. For example, what are some of the groups and songs that define the beginning of Salsa?
guaracha is another rhythm all in itself, and it is bolero+rumba+clave (but on a different time measure than salsa)Guarachero said:Rey de la Pista said:Guarachero said:That's the the origin of the name Salsa (Casino actually). And you can take that to the bank. And you're right, 1930s may have been the time for "Échale salsita" (although I still have doubts), but the first time "Salsa" was referred to fast Son was 1950s CMQ radio by Bigote Escalona. Tito Puente in New York may have internationalized it, but its birthplace was Cuba. Let's give credit to whomever deserves it and avoid passion of titleship stand in the way of history. :rocker:
but salsa is more than just "fast son." cuba didn't do salsa. yes, it did various rhythms that one finds in salsa. but salsa is the mixture of various rhythms and elements. salsa is: son, guaguanco, rumba, bomba, plena, guajiro, jibaro all mixed up.
to refer to it as merely fast son and say that cuba is the birthplace is to stand in the way of history.
Rey de la Pista:
When Guarachas (descargas) took a place in Cuba, those were its ingredients. I agree, but when that took place no other Latin rhythm were in it. Jibaro, Bomba, and all others enriched it, yes :cheers: And we all are pleased of that. But that only happened after it was exported to New York. Of course, no other Latinos are more credited for instantly accepting it and enriching it than Portorricans. We all know that :cheers:
I really hope that you're not one of those who believe Salsa is a New York product. Salsa became the international name for Casino and the first referrences to it can be traced back to the 30s and mid 50s in CMQ Radio by "Bigote" Escalona.
Now, we can argue for ever and never come to a conclusion. And whether other Latin American countries want it or not, Cuba holds authorship of Salsa. That is as factual as Narciso Lopez designing of our tween sister flags.
Us Latinos should not try to change history based on our nationalistic passions. Knowin how to Salsa is different that knowing about its history. :roll: