n00bdancer
Changui
I posted recently that footwork classes often feel like just learning choreography, but I honestly take that back.
I still think you can get many of the same benefits by drilling core steps (basics, Suzy Qs, tap steps, flares, etc.) to fast music. That said, taking a shines class is simply more enjoyable, and practicing alongside other people has its own value.
I’ve noticed that a lot of dancers only take partnerwork classes. Personally, I think that often leads to becoming someone who knows a lot of figures but isn’t actually a well-rounded dancer.
As a lead, I find that some of the follows who only take partnerwork can follow more advanced patterns, but their weight transfer, balance, and overall movement aren’t as strong. The same applies to leads. Weight transfer and balance are fundamental to dancing well, and partnerwork alone doesn’t develop those skills as effectively.
One thing I’ve noticed is that many dancers can comfortably execute advanced partnerwork combinations, but when they walk into a shines class, they struggle to keep up with the footwork.
I understand why some people avoid shines classes. They often cover a lot of material in a short time, and it can feel overwhelming to remember all the steps. But at the same time, I’ve seen plenty of dancers doing advanced partnerwork who still don’t execute basic footwork cleanly.
For me, I don’t see myself taking only a partnerwork class anymore unless I’m also taking a shines or body movement class that day—or unless I’m skipping it because I’m going to a social later.
I think people eventually start viewing shines classes as optional because partnerwork mostly uses basic footwork, while partnerwork classes seem more immediately practical.
My view is the opposite: shines are essential. You need to know how to move well on the dance floor, not just how to execute flashy combinations with a partner.
I still think you can get many of the same benefits by drilling core steps (basics, Suzy Qs, tap steps, flares, etc.) to fast music. That said, taking a shines class is simply more enjoyable, and practicing alongside other people has its own value.
I’ve noticed that a lot of dancers only take partnerwork classes. Personally, I think that often leads to becoming someone who knows a lot of figures but isn’t actually a well-rounded dancer.
As a lead, I find that some of the follows who only take partnerwork can follow more advanced patterns, but their weight transfer, balance, and overall movement aren’t as strong. The same applies to leads. Weight transfer and balance are fundamental to dancing well, and partnerwork alone doesn’t develop those skills as effectively.
One thing I’ve noticed is that many dancers can comfortably execute advanced partnerwork combinations, but when they walk into a shines class, they struggle to keep up with the footwork.
I understand why some people avoid shines classes. They often cover a lot of material in a short time, and it can feel overwhelming to remember all the steps. But at the same time, I’ve seen plenty of dancers doing advanced partnerwork who still don’t execute basic footwork cleanly.
For me, I don’t see myself taking only a partnerwork class anymore unless I’m also taking a shines or body movement class that day—or unless I’m skipping it because I’m going to a social later.
I think people eventually start viewing shines classes as optional because partnerwork mostly uses basic footwork, while partnerwork classes seem more immediately practical.
My view is the opposite: shines are essential. You need to know how to move well on the dance floor, not just how to execute flashy combinations with a partner.