La Macorina

María Calvo Nodarse (1892 in Guanajay – 15 June 1977, in Havana), better known as La Macorina, was a Cuban prostitute. [...] She was the first woman to hold a driving license in the Americas.


An interesting biography. I ran across her trying to detangle the various recordings in her name (mostly unsuccessfully so far). I'll collect the various threads here .
 
Before that, Abelardo Barroso recorded a song Macorina (1950s), possibly with writing credits to Barroso himself.


Late 50s, Joe Cuba recorded another Macorina


This credits A. Toroella, so is probably based on that 1913 danzón.
 
There are some Mexican traces -- considering the strong danzón tradition there, maybe it's also tied into that danzón? I'm too confused right now to say how close the songs are musically.

e.g. Chico Ché from 1979

or this instrumental recording

(what would you call that genre?)
 
Pio Leyva recorded a very different song titled Macorina -- text-wise at first listen it's so different that I'm unsure it belongs? Also 1950s I think?

 
The 1997 Adriano/Alejandro recording (from that album from the other thread) is what kicked off my search; it credits the song as "anónimo"

 
Bobby Valentín's 1965 take seems to be an entirely different song


And then there's Pacheco's pachanga "El güiro de Macorina" from 1967

 
Pio Leyva recorded a very different song titled Macorina -- text-wise at first listen it's so different that I'm unsure it belongs? Also 1950s I think?


Yeah this one isn't Macorina, it's a recording of "Macusa" (due to Compay Segundo)

 
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Some progress sorting them.
Abelardo Barroso, Adriano/Edesio, Orquesta Original de Manzanillo, Charanga La Tapa, Doh Albert are the same

Joe Cuba seems unique, except for the danzón credits (and sounding like it might well be based on a danzón)

Bobby Valentín also unique, and doesn't even share the chorus

Current theory is everything (including the poem) quotes the chorus from the original danzón. Beyond that Joe Cuba possibly is most faithful to the danzón, while Abelardo Barroso, Chavela Vargas are new works that just quote the chorus.

It would be great to hear the danzón recordings.

Orquesta Cheo Belen Puig credits Antonio María Romeu for writing, so possibly this is separate.
 
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